Wonderful Town

Wonderful Town

Based on their play My Sister Eileen, which is itself based on the collection of short stories by Ruth McKenney of the same name.

Eileen is a beautiful innocent from Ohio seeking fame as an actress on Broadway. Ruth is Eileen’s older sister, who wants to be a writer, but must protect Eileen from the unspeakable evils and dangers they’re sure they’ll find in New York City in 1935. In their basement apartment in Greenwich Village they fend off the former tenant’s “dance students”, are kept awake all night by underground dynamite blasts from the subway construction, hide their All-American football playing neighbor from his live-in girlfriend’s mother, both fall for the same guy, host a really uncomfortable dinner party, and teach a raucous group of Brazilian Naval Cadets how to conga, which leads to Eileen being hauled off to jail for creating a disturbance. And that’s just Act One! Wonderful Town won five 1953 Tony® Awards, including Best Musical and Best Actress. With a score that includes ”A Little Bit in Love”, “One Hundred Easy Ways (To Lose a Man)”, “Wrong Note Rag” and “Ohio”, why, oh why, oh why-oh? Why would you miss the first Leonard Bernstein show that MTG has ever presented?

Ruthless! The Musical

Ruthless!

Take equal parts The Bad Seed, Gypsy, All About Eve and Mame, add a dash of Whatever Happened to Baby Jane?, serve shakin’ (not stirred) with laughter, garnish with a sprig of hemlock and you’ve got the hilarious cocktail that is Ruthless! The Musical. It is infused with child actors, agents, managers, the mother of all stage mothers and the mother of the mother of all stage mothers! With subtle notes of jealousy, secrets, betrayal, anger, lies, mistaken identity and murder by jump-rope, it manages to be both very dry and unbelievably fruity at the same time!

City of Angels

City of Angels

City of Angels is two shows in one. It is the interweaving of two plots, one dealing with the writing of a screenplay in the legendary Hollywood of the 1940′s; the other, the enactment of that screenplay. This double feature quality leads to many other unique production values, the most notable being the fact that City of Angels is perhaps the only “color coded” show any theatre audience is likely to see. The movie scenes appear in shades of black and white, and the real life scenes are in technicolor. The show boasts two musical scores. One provides the cast with numbers to help reveal certain emotions or to celebrate particular moments in the way that only music can. The “other” score was written to emulate pure movie soundtrack music, 1940′s vintage. It is entirely appropriate, then, that the final curtain comes down on two happy endings.