Season Archives

 


Where's Charley
September 24, 2001

Book by George Abbott
Music & Lyrics by Frank Loesser

Based on Brandon Thomas' "Charley's Aunt"

 

Working
December 3, 2001

From the book by Studs Terkel
Adapted by Stephen Schwartz & Nina Faso

Dance Music by Michele Brourman
Original Production Directed by Stephen Schwartz

WORKING explores the American workday from the Monday morning blues to the second shift blahs. The hopes, dreams, joys and concerns of the average working American are the focus of this eye-opening musical. That the everyday lives of "common" men and women should be so compelling and moving will surprise and inspire anyone who has ever punched a time clock.

 

The Grass Harp
January 28, 2002

Book & Lyrics by Kenward Elmslie
Music by Claibe Richardson

A musical version of Truman Capote's touching and whimsical novella, THE GRASS HARP brought a cast of lovable eccentrics and an atmosphere of homespun innocence to Broadway. Bruce Kimmel of Fynsworth Alley says the "...score for THE GRASS HARP is the kind that's so rare nowadays ­ literate, vibrant and gorgeously melodic ­ in other words, a classic Broadway musical theater delight."

 

Extraordinary! A Tribute To Stephen Schwartz
February 4, 2002



 

How Now Dow Jones
April 1, 2002

Book by Max Shulman
Lyrics by Carolyn Leigh

Produced on the Broadway speaking stage by David Merrick

A musical about the precariousness of love and the stock market ­ what could be more appropriate?!?! HOW NOW, DOW JONES tells the story of a loser, so inept that he can't even kill himself. He suddenly finds himself inadvertently rising on Wall Street in the brokerage firm of a tycoon while romancing a woman who's engaged to another man. Competing with nine other new musicals launched during the 1967-68 season, it received six Tony© nominations.

 

Floyd Collins
May 20, 2002
at the Pasadena Playhouse

Book by Tina Landau
Music & Lyrics by Adam Guettel

In 1925, while chasing a dream of fame and fortune by turning a Kentucky cave into a tourist attraction, FLOYD COLLINS himself became the attraction when he got trapped 200 feet underground. This haunting musical ­ one of the most acclaimed in recent years ­ tells the transcendent tale of a true American dreamer. NEW YORK MAGAZINE writes, "This is the original and daring musical of our day... a powerhouse" and the LOS ANGELES TIMES says "Plaintive, often inspired...Adam Guettel is a composer for the new century."

 
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